This blog is going to be about movies. I know I usually write about books, but movies seem to be more accessible to most people. My inspiration for this blog comes from one movie in particular. Last night I watched "Lars and the Real Girl". It is exactly the kind of film I love. Lars is very much a person "on the outside", as I like to call it. He is not "normal" or in any way conventional. But what the fuck? Who is? That's my philosophy anyway. The thing is, people are so scared by the abnormal. They are so quick to label different as crazy. If that were the case, I would've been committed a long time ago. I enjoy the quirks in people. I enjoy the beauty of those who are unique, who catch you off guard, who are so very unexpected. So Lars, in all of his oddity and "insanity" finds that people really do love him and are willing to
accommodate those endearing quirks. If only humanity were really so compassionate, accepting, kind and altruistic. This film gives me hope that there will be people who watch the film and open their minds and hearts and stop judging based on their own fears. And who would've thought Ryan Gosling would become one of the best actors of our time? Just wow. And any movie with Patrica
Clarkson is not to be missed. That woman has so much class and I swear I could just listen to her talk all day. What a wonderful, rich soothing voice she has. In ways, "Lars.." reminds me of "Juno". I hadn't known what to expect about "Juno" and didn't think I was a big fan of Ellen Page, but I fell in love with the movie and with her. In ways (aside from the pregnancy) Juno reminds me of myself when I was a teenager. She's quirky, yet accepted;
ostracized yet admired; too mature for her own good; gives off the air of not caring what others think, yet deep down wishing to be understood. It's refreshing to see that such a small, offbeat little film can really make it big and find a large audience amongst all the grotesque Hollywood blockbusters churned out by the large studios every year. Thank God for films like these and the people who make them. I also recently watched "Mad Money" and "P.S. I Love You" and really enjoyed them both. Diane Keaton in "Mad Money" is hilarious and I do love me some Queen
Latifa. What a beauty she is! As for "P.S. I Love You", I cried. I can't believe I cried! I never cry in films, but it sort of reminded me of my own life: A wonderful man who loves his wife so much even though she may not think she deserves such love. She struggles with the idea that he was always the "perfect" one, the one who everyone liked and she was always the stick in the mud. And when she loses him, she realizes that she might not have let him know how much she loved him and appreciated him. I love Gerard Butler. He is on my list of sexiest men in Hollywood and of course Hillary Swank is flawless as usual. It's a cute film, moving, yet not overly sentimental. I recommend.
Which brings me to my lists....I love lists. I love people who love lists. Here are two lists of films I recommend.
Best Film Per Decade
1920s: "The Big Parade" 1925. I discovered this film a few years ago when I got really into silents and
pre-code films. It stars John Gilbert (Garbo's former flame) as an American soldier fighting in WWI. He meets a young French woman, the adorable Renee Adoree, and falls in love. What I so love about this film (besides my obsession with all things WWI) is the subtle acting on Gilbert's part. What he does so well is bring a quietness of emotion and subtlety to his acting that was so abnormal for silent films. Acting had to be big and emotive in order to make up for the lack of dialogue, but Gilbert is so natural, not to mention handsome. And I'm blown away at the cinematic scope of the film and special effects. Such shots could be found in films today and still not carry the impact they do in a film made 80 years ago.
1930s: "Gone With the Wind" 1939. Of course I have to choose this film as it truly may be the best movie ever made. For so long, I've thought "Camille" with Greta Garbo was the best 30s film, but I have to consider the film as a whole and not just the acting (of which Garbo is sublime in this film). The problem is, the script and cinematography just don't compare to that of the Margaret Mitchell adaptation. And Vivien Leigh is indeed phenomenal as Scarlet. I can literally watch that movie once a week and still love it every bit as the first time I ever saw it. It's truly an epic film and should not be missed.
1940s: This is difficult. There are so many great films of the 40s. But, as with
GWTW, I chose a movie of which I never tire: "The Philadelphia Story" 1941. With a stellar cast of Katharine Hepburn, Cary Grant, and Jimmy Stewart, it is utterly flawless. The hilarity of the script and acting tends to overshadow the fact that the movie is actually beautifully filmed. The black and white seems ethereal in its quality. The camera work and lighting should not be taken for granted as they are masterful.
1950s: Hands down "Some Like it Hot" 1959. Funniest Movie EVER! There are just too many great things about this movie. It must be viewed several times in order for all the subtle innuendo to be recognized. It really pushed the envelope with that script. And Jack
Lemmon...what can I say? I actually don't know if I enjoy him as a comedian or a dramatist better, but this is by far his loveliest performance.
1960s: "Sound of Music" 1965/"West Side Story" 1961. This truly is a toss up. Both musicals are too fantastic. The thing is, I love both movies for the same reasons. The music never gets old (there's actually one song in each I don't care for.
SOM: "Climb Every Mountain".
WSS: "Cool Boy"). They are both light-hearted and funny in parts, but also deeply dramatic and disturbing. Great acting. I do have to say though...as much as I love Natalie Wood, I don't like her as a
Puerto Rican lipsynching to operatic musical ballads. So, whereas
SOM wins a point in the acting department,
WSS trumps the other in choreography. With performers like Russ
Tamlyn and Rita Moreno in
WSS, there is no comparison for the dancing in
SOM.
Best musical number--
SOM: "Sixteen Going on Seventeen".
WSS: "America".
Hmmm.... I just realized, both characters named "Maria" have a song named after them.
1970s: I hate the 70s in terms of film. This was tough because I pretty much skip that decade when I watch movies. I hate doing this, but I'm gonna have to go with "The Godfather Part II" 1974. I'm a much bigger fan of
DeNiro that Pacino and since
DeNiro is the star of Part II, I must choose it. Plus, I really enjoy the early life of Vito in the 20s and all the the Sicilian landscape and language of II.
1980s: "E.T." 1982. This movie just holds so many special memories for me that it's really more of a sentimental pick than anything. Although, it was quite innovative
film making for the time, so it does have many qualities of a truly great film. I recently watched it with all my nieces and nephew an it was so wonderful to watch their first reactions to the story as well. I shall never forget it.
1990s: "Silence of the Lambs" 1991. Yes. I'm a sicko. I'm actually obsessed with this film. I was 15 when it came out and everyone started telling me I looked like Jodie Foster. That was just the beginning of many years to follow of people telling me I was her twin, requesting that I say "Doctor
Lecter" in that backwoods Virginian accent and asking for my autograph. I still get it sometimes today, but not as much as back then. I never saw the resemblance, although I'm beginning to now ( I do see the Natalie Wood resemblance though). Anyway, back to the film. I don't even need to mention the acting, which is superb. This film, in all it's aspects captures the creepiness of insanity. I don't think of it as a traditional horror flick because it never goes for the cheap/gory thrill. The horror of the film is not in the grotesque fantastical
manioc killing of random people (as in "Friday the 13
th" or "Nightmare on Elm Street" films and their ilk) but in the shocking reality that this sort of thing
does happen in real life. That people
are monsters and many walk around this earth among us as if life is not sacred.
2000s: Although the decade is not over, I wonder if there will be a film that can live up to "
Moulin Rouge!" 2001.
Baz Luhrmann is the ultimate film maker and this is the ultimate film. It has everything and encompasses the audience in it's storytelling. Comedy, tragedy, romance, music, great costumes, great acting, great sets, clever dialogue and references, special effects, beautiful lighting and cinematography. It is the epitome of a spectacle and it is spectacular. Some people are put off by it at first because the beginning is so over the top, quirky, fast-paced and confusing, but that is exactly what is needed to convey the mood of the times. Turn of the century in Paris was all of those things. And it's as if
Luhrmann dares his audience to stick with him through the journey on which he is about to take you. And stick with it you must, because it is worth it.
Ok, that's that list. Now a brief list of my favorite foreign films in order to No. 1. I'm not an avid viewer of foreign films, but I do watch them more than the average Joe and these are the best--in my opinion.
10. Jules
et Jim (France 1962) /Les
Diaboliques (France 1955) toss up.
9. The Piano Teacher (France 2001) /Swimming Pool (France 2003)
8. 8
Femmes (France 2002)
7. Nathalie...(France 2003)
6. Cinema
Paradiso (Italy 1990)
5. Don't Tempt Me (France/Spain/Italy/Mexico 2001)
4.
Trois Coleurs: Rouge (France 1994)
3. A Very Long Engagement (France 2004)
2. Life is Beautiful (Italy 1997)
1. Malena (Italy 2000)
And since I love lists so much, I will be including a top ten list every week in my blog. :)